a raisin in the sun act 2 scene 1joe's original dartmouth menu
“Would not have made it through AP Literature without the printable PDFs. Study Guide Navigation; About A Raisin in the Sun; A Raisin in the Sun Summary; Character List; Glossary; Themes; Summary And Analysis. She has the radio going. She turns off the radio -- calling its music "assimilationist junk" and plays Nigerian music on a phonograph.Walter Lee enters. Romeo & Juliet- Final. We have tutors online 24/7 who can help you get unstuck.
Then George Murchison enters to pick up Beneatha for their date, shocked by what he sees. "Back to the past" contrasts with Walter's looking into the future in the previous scene. Walter enters, intoxicated, and begins an impassioned monologue about African warriors and leaders. George and Beneatha have an argument that mirrors Mama and Beneatha's in the first scene—George understands her references more than Mama does, but he doesn't respect them. Beneatha plays a record with a Nigerian folk song and starts to sing along and dance. With her costume and music choice, Beneatha embraces her African heritage. Walter again has the chance to talk Ruth out of having an abortion, but he says nothing. Walter recognizes this and grows angrier at George, who makes the family he takes such pride in feel inadequate. Beneatha is an advocate for the equality of the sexes, but she's still been socialized as a woman. She's trying on a new identity, one she seems to like. Despite Walter's posturing in the scene it is Mama who ends up asserting the most authority. Mama tries to convince Walter to accept her dream and to recognize its value, but he cannot. Walter comes in, after having had a few too many drinks, and joins in Beneatha's ritualistic dance. When Beneatha removes her headdress, they all see that her hair has been cut short and unstraightened. PLAY. The insurance money again functions as a wedge that drives the family members farther apart. Taking a defensive stance, Walter describes himself as a “volcano” in an attempt to fortify his male identity. She's also dreaming of a house for her family, emboldened by Learn. During their exchange Walter makes a disparaging comment about his own race:You can opt-out at any time. They're like having in-class notes for every discussion!”
A Summary of Our Town 'The Merchant of Venice' Act 1 …
Walter imagines himself as a “great chief,” a fantasy that connects to his desire to fulfill a traditional male role as a powerful protector and provider for his family. A Raisin in the Sun: Act I, scene ii | SparkNotes A Raisin in the Sun Once upon a time freedom used to be life—now it’s money. Wade Bradford, M.A., is an award-winning playwright and theater director. Beneatha enters wearing her new robes and puts on the African records that Asagai gave to her. As Walter becomes angry and frustrated, insulting college boys such as George.
Now she's the one talking about something bigger, something more. Act 2, Scene 3 of 'A Raisin in the Sun' "A Raisin in the Sun" Plot Summary and Study Guide "Clybourne Park" Study Guide 'King Lear' Act 1: Summary of the Opening Scene. Share. Uncharacteristically, Walter embraces his African heritage, but only in a fleeting moment of fantasy. She has taken action. Ruth says she wants to be close to Walter and adds tentatively that their life doesn't have to be this way. Beneatha reveals her natural, unstraightened hair, which stuns Ruth and George. "A Raisin in the Sun Study Guide." Copyright © 2020. George’s reference to “Prometheus,” a Greek demigod who stole fire from Zeus, is intended to mock Walter’s grand business dreams and also to draw attention to George’s own knowledge (George is putting himself in the position of being the God). At the same time, Walter is resentful of George, perhaps because it is George's father and not George himself that has acquired wealth. Both Ruth and Walter are shocked because Clybourne Park is a white neighborhood. He uses African stereotypes such as spears and lions, later treating these tropes as the embodiment of a masculine warrior culture—the way a man proves his manhood. Mama tells Walter that the house will be a new beginning, a unifying force that can repair the family’s bonds. She also decides, silently, to keep the baby. A Raisin in the Sun Act II, Scene 1: Questions and Answers by Lorraine Hansberry. Her pregnancy is no longer a burden, but instead signifies hope and expectation. While Beneatha shouts back about his ignorance, Ruth pushes her into the bedroom and then makes cordial small talk with George. 18 terms. (2016, August 10). "My students can't get enough of your charts and their results have gone through the roof." (Or perhaps because most big brothers are distrustful of their little sister's boyfriends. Struggling with distance learning? He mocks George's academic posturing more harshly than he mocks Beneatha's, suggesting that he does understand the spirit of his sister's goals if not the method she uses to achieve them. Beneatha and George argue about assimilationism. Walter both abhors George’s outward signs of wealth, such as his outfit, and deeply covets them, as evidenced by his attempt to interest George in his business ideas. On Saturday evening of the same day Ruth is ironing when Beneatha emerges from her bedroom in full Nigerian costume.
My students love how organized the handouts are and enjoy tracking the themes as a class.” A Raisin in the Sun Act 2 Scene 1 Summary - A Raisin in the Sun by Lorraine Hansberry Act 2 Scene 1 Summary and Analysis For more details, see our "A Raisin in the Sun" Act Two, Scene One Summary and Study Guide Instant downloads of all 1338 LitChart PDFs Through most of Act One, she has been annoyed by her brother, the stage directions say that "she is thoroughly caught up with this side of him." She makes her own powerful decision about the future: she's going to continue her family. Course Hero is not sponsored or endorsed by any college or university. Menu . With his insult to Ruth about African-American women, Walter attempts to blame his own failings and insecurities on the women who surround him.
A Raisin in the Sun | Act 2, Scene 1 | Summary Share. The audience senses that Walter's longing is about more than money. He's intoxicated in the scene, indicating the control alcohol has over his life. Presented at New York City & Ethel Barrymore Theatre. For Mama, ownership of the house symbolizes personal freedom as well. Release Date March 11, 1959.
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